In what way can I perform an independent transformation of the Kente fabric that expresses both my cultural identities and demonstrates the appreciation and authenticity of the textile?

Textiles and their philosophical and cultural significance, their ability to immortalize feelings and life circumstances, are an important part of interpersonal communication in many African cultures.

In my work, I have reformulated the digital practice of so-called gel electrophoresis - fingerprints that are transferred into a stripe pattern - with the deep ancestral knowledge of the Ghanaian kente textile. The result is a knit that is heavy, that is valuable, that tells a history in the form of knitted fingerprints, muted colors that remind me of being German, and a unique family story. Textiles tell the stories of the people, of the places, whose stories are often untold and unheard.

My practice closely relates to pre-colonial methods, such as oral storytelling and the intergenerational inheritance of memory in the form of sculptures, poems, and fabrics and clothing.

Tags

craft culture
critical design
design activism
social design

Supervisor(s)

Prof. Dr. Zane Berzina, Elisabeth Oestringer, Essi-Johanna Glomb, Andreas Kallfelz